В то же время фильмы Роберта Паттинсона и Сиенны Миллер попали в основную программу NYFF 2014.

Драма "Охотник на лис" (Foxcatcher) о трагических взаимоотношениях олимпийского чемпиона по борьбе Дэвида Шульца и страдающего шизофренией богатея Джона ДюПона, построившего в собственном особняке тренировочную базу для борцовской команды, с успехом была показана еще весной, на Каннском кинофестивале. Фильм будет также представлен на кинофестивале в Торонто. И что-то нам подсказывает, что в предоскаровской гонке мы еще не раз услышим это название, а также имена сыгравших в ленте главные роли Стива Каррела, Ченнинга Татума и Марка Руффало.


Заново впрягаться в рекламно-фестивальную рутину надлежит Роберту Паттинсону. Как человек, более лояльно относящийся к кинофестивалям, Роберт, надеемся, расширит спектр ответов пусть и на уже приевшиеся вопросы о попытке Дэвида Кроненберга высмеять Голливуд. Журналистам пожелаем фантазии. А нам, зрителям - терпения. Чтобы дождаться и фестивальных премьер, и релиза "Звездной карты" (Maps To The Stars) в своих городах.

Подробное расписание всех мероприятий будет опубликовано в течение нескольких недель, поэтому следите за лентой новостей на нашем сайте и в Twitter'е. Ближе к фестивальному сезону мы еще раз напомним вам, кто, где и когда.

FilmLink:  New work from a cross section of international filmmakers including Olivier Assayas, Nick Broomfield, David Cronenberg, Asia Argento, the Dardennes, Hong Sang-soo, and more are on tap for the Main Slate of the upcoming 52nd New York Film Festival. Thirty films are included in the lineup of the 52nd NYFF, which also features new work from Pedro Costa, Abel Ferrara, Jean-Luc Godard, Bennett Miller, Mike Leigh, Mia Hansen-Løve, the late Alain Resnais, Alice Rohrwacher, and the Safdie Brothers, among others. The list joins previously announced the Opening Night World Premiere Gone Girl by David Fincher, Centerpiece World Premiere Inherent Vice by Paul Thomas Anderson, and Closing Night Gala Selection, Birdman or The Unexpected Virtue of Ignorance by Alejandro G. Iñárritu.

The Main Slate lineup includes five North American and 14 U.S. Premieres with a number of films that have received prominent awards at festivals around the world. Four films received prizes at this year's Cannes, including Alice Rohrwacher’s The Wonders, the winner of the 2014 Grand Prix Award; Bennett Miller’s Foxcatcher, for which he was named Best Director; David Cronenberg’s Maps to the Stars, for which Julianne Moore took the prize for Best Actress, and Mike Leigh’s Mr. Turner, for which Timothy Spall received the Best Actor Award for his performance as the painter J.M.W. Turner. (...)

The festival runs from September 26th – October 12th.

CENTERPIECE GALA SELECTION
Inherent Vice, Paul Thomas Anderson

CLOSER
Birdman or the Unexpected Virtue of Ignorance, Alejandro G. Iñárritu

MAIN SLATE
Beloved Sisters, Dominik Graf
The Blue Room, Mathieu Amalric
Clouds of Sils Maria, Olivier Assayas
Eden, Mia Hansen-Løve
Foxcatcher, Bennett Miller
Goodbye to Language, Jean-Luc Godard
Heaven Knows What, Josh & Benny Safdie
Hill of Freedom, Hong Sang-Soo
Horse Money, Pedro Costa
Jauja, Lisandro Alonso
Life of Riley, Alain Resnais
mr-turner-timothy-spallListen Up Philip, Alex Ross Perry
Maps to the Stars, David Cronenberg
Misunderstood, Asia Argento
Mr. Turner, Mike Leigh
Pasolini, Abel Ferrara
The Princess of France, Matías Piñeiro
Saint Laurent, Bertrand Bonello
La Sapienza, Eugène Green
’71, Yann Demange
Tales of the Grim Sleeper, Nick Broomfield
Timbuktu, Abderrahmane Sissako
Time Out of Mind, Oren Moverman
Two Days, One Night, Jean-Pierre & Luc Dardenne
Two Shots Fired, Martín Rejtman
Whiplash, Damien Chazelle
The Wonders, Alice Rohrwacher

The Film Society of Lincoln Center will announce NYFF’s special events, documentary selections, filmmaker conversations, panels, and the Projections and Convergence program lineups over the course of the next few days and weeks

Birdman or The Unexpected Virtue of Ignorance (Closing Night - New York Premiere, previously announced)
Alejandro G. Iñárritu, USA, 2014, DCP, 119m

In Alejandro G. Iñárritu’s big, bold, and beautifully brash new movie, one-time action hero Riggan Thomson (a jaw-dropping Michael Keaton), in an effort to be taken seriously as an artist, is staging his own adaptation of Raymond Carver’s What We Talk About When We Talk About Love. As Thomson tries to get his perilous undertaking in shape for the opening, he must contend with a scene-hogging narcissist (Edward Norton), a vulnerable actress (Naomi Watts), and an unhinged girlfriend (Andrea Riseborough) for co-stars; a resentful daughter (Emma Stone); a manager who’s about to come undone (Zach Galifianikis)... and his ego, the inner demon of the superhero that made him famous, Birdman. Iñárritu’s camera magically prowls, careens, and soars in and around the theater, yet remains alive to the most precious subtleties and surprises between his formidable actors. Birdman or The Unexpected Virtue of Ignorance is an extravagant dream of a movie, alternately hilarious and terrifying, powered by a deep love of acting, theater, and Broadway—a real New York experience. A Fox Searchlight Pictures and Regency Enterprises release.

Foxcatcher (New York Premiere)
Bennett Miller, USA, 2014, DCP, 134m

Bennett Miller’s quietly intense and meticulously crafted new film deals with the tragic story of billionaire John E. du Pont and the brothers and championship wrestlers Dave and Mark Schultz recruited by du Pont to create a national wrestling team on his family’s sprawling property in Pennsylvania. Miller builds his film detail by detail, and he takes us deep into the rarefied world of the delusional du Pont, a particularly exotic specimen of ensconced all-American old money and privilege. Miller’s film is a powerfully physical experience, and the simmering conflicts between his characters are expressed in their stances, their stillnesses, their physiques, and, most of all, their moves in the wrestling arena. At the core is a trio of perfectly meshed and absolutely stunning performances from Mark Ruffalo as Dave, Channing Tatum as Mark, and an almost unrecognizable Steve Carell as the fatally dissociated du Pont. Foxcatcher offers us a vivid portrait of a side of American life in the ’80s that has never been touched in movies. A Sony Pictures Classics release.

Maps to the Stars (U.S. Premiere)
David Cronenberg, Canada/Germany, 2014, DCP, 111m

David Cronenberg takes Bruce Wagner’s script—a pitch-black Hollywood satire—chills it down, and gives it a near-tragic spin. The terrible loneliness of narcissism afflicts every character from the fading star Havana (Julianne Moore, who won the Best Actress Award at Cannes for her nervy performance) to the available-for-anything chauffeur (Robert Pattinson) to the entire Weiss family, played by John Cusack, Olivia Williams, Evan Bird, and Mia Wasikowska. The last two are brother and sister, damaged beyond repair and fated to repeat the perverse union of their parents. And yet, in their murderous rages, they have the purity of avenging angels, taking revenge on a culture that needs to be put out of its misery—or so it must seem to them. Cronenberg’s visual strategy physically isolates the characters from one another, so that their occasional violent connections pack a double whammy. An eOne Films release.

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